2017
Fair Use Question of the Month: Exhibit Materials & Formal Permission
December 21, 2017
The Right to Decrypt Media Needs to Be More User-Friendly
December 16, 2017
Documentaries in a Dark Time: IDFA at 30
December 01, 2017
Interactive Art at IDFA: Big Questions, Some Answers
December 01, 2017
Fair Use Question of the Month
November 20, 2017
New Research: Augmented Reality and the Future of Cities
October 30, 2017
Double Exposure: Filmmakers Tell Truth to Power
October 25, 2017
Fair Use Question of The Month: Poetry Remix
October 24, 2017
New Fair Project Launched, for Preservation of Software
October 20, 2017
Online News Association 2017: Is AI an Opportunity or a Monster? Yes
October 17, 2017
No Roadmap: Reflections From an Aspiring Documentary Film Producer
September 20, 2017
Fair Use Question of the Month
September 14, 2017
At Sydney Film Festival, Aboriginal Makers Lead
September 14, 2017
New CMSI Staff
September 13, 2017
AFI DOCS Forum Commenced with Poignant Themes
June 23, 2017
Visual Arts Community Shifts Practice on Fair Use
April 19, 2017
Public Media Podcasts with Fair Use at WVIK
April 07, 2017
How to Make the 5 Percent of Social-Issue VR that Works
March 06, 2017
Lyn Goldfarb Talks Fair Use in “Bridging The Divide”
February 24, 2017
Fair Use Myths Debunked in Australia
February 24, 2017
Roger C. Memos: “Sweet Adversity” and Fair Use
February 22, 2017
Fair Use Week: Documentary Statement Video Code
February 21, 2017
Fair Use Question of the Month: Online Databases for Students
February 20, 2017
CMSI and CAA Launch New Teaching Tools for Fair Use in the Visual Arts
February 01, 2017
Fair Use in Australia? How Knowledge Can Overcome Moral Panic
January 31, 2017
CMSI in 2017: New Projects, New Collaborators, Renewed Energy
January 24, 2017
Is China’s New Ivory Ban a Win for “The Ivory Game” Documentary?
January 24, 2017
Fair Use Question of the Month: Using Film Clips in Documentary
January 18, 2017
Documentary Filmmaker Jed Riffe on Fair Use
January 18, 2017