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Filmmaker and Professor, School of Communication, American University
CMSI and CAA have put together a presentation quickly outlining the basics of fair use and what the Code covers.
Click here to download the PowerPoint.
The College Art Association teamed up the CMSI to simply the approach to the principles found within the Code of Best Practices in Fair Use for the Visual Arts. Today we take a closer look at...
ACCOMPANYING POWERPOINT: Illustrations: Teaching Script for Fair Use in Art Making
Journalists depend upon fair use, often without knowing it. The Set of Principles in Fair Use for Journalism was created by journalists to..
For a grade of A, the student refers to the Code, applies the transformative logic of category 3 appropriately (stressing transformative function, repurposing, recontexualizing, or the absence...
Create a mockup of a printed brochure or virtual tour for the website of a proposed museum exhibition of contemporary art, and justify using unlicensed imagery from the exhibition referencing...
Have students make a work of art that incorporates copyrighted material (image or text) in a transformative way, and write a justification for not licensing that material, using the Code of Best...
In writing assignments, ask students to include photo credit lines for all images included in their papers. In addition to the artist’s name, title, medium, and size, have students include the...
The deadline to apply for this year's Whickers Film & TV Funding Award has been extended! The new deadline is Feb. https://t.co/mgAfHrJxgO
RT @shahin_saif: Excited to have my paper, "Flag emojis as user-generated nationalism," accepted for the annual convention of the Associati
RT @zaheerali: Excited for this conversation w/ @SueObeidi @sahar_jahani_ @samikhanfilm @amirsulaiman abt moving beyond "diversity" towards
RT @hallielieberman: Is cancel culture in comedy real? And, if it is, is it toxic? Or a necessary corrective? I asked trans comedians and e
RT @OUPAcademic: On 26 January at 6pm EST, join @CatyBC for a discussion of her book 'Story Movements: How Documentaries Empower People an
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