Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
#laughterlab :) https://t.co/mA3HDMzg51
RT @irworkshop: Join our team! Were looking for a new Director of Development to help sustain and grow our transparency and accountability
RT @paufder: Minneapolis's progressive pro-equality policies were "color-blind," and so they entrenched racism. IMO proves the maxim: Solve
RT @CatyBC: Can't wait to be in conversation with @RevYearwood + @HipHopCaucus on July 31, talking about comedy in climate justice activism
It's time to #StepIntoPower. The women of @SheCouldBeNext are changing politics from the ground up! We will be tune https://t.co/CngvKjg5XU
Center for Media & Social Impact4400 Massachusetts Ave NW
Washington, DC 20016-8017