Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
RT @bendigenous: Jump in and apply for #Armedwithacamera! From our friends at @vcmediaorg https://t.co/nzMYowkgaK
RT @earthjournalism: Calling investigative #journalists in the #Americas for Mesoamerican Reef Story Grants! We are excited to announce the
You've seen the video, here are the pictures from the inaugural #LaughterLab in partnership with @MooreCampaigns. T https://t.co/AxtDS5jr8b
Our Faculty Fellow @filippotrevisan writes about #GoogleTrends and the #DemDebate https://t.co/CfFEQbRgSY https://t.co/zqBlqA4UdJ
On a beautiful rainy Monday morning, 100 people gathered @caveatnyc for the inaugural #LaughterLab to bring togethe https://t.co/0uE8A8zaDU
Center for Media & Social Impact4400 Massachusetts Ave NW
Washington, DC 20016-8017