A documentarian and professor at Occidental College, fair use is a necessary ingredient for teaching aspiring filmmakers.
Digital culture depends on software. But software preservation is in crisis. Software archivists struggle with copyright law.
Australian copyright law has extremely narrow exceptions and US. copyright law has an outsized presence in debates about copy right reform.
I am worried about my students using copyrighted material in their submissions. What kind of protections would fair use offer my students?
Do I need formal permission to use images from some of the exhibit materials we already have in our holding on supplementary materials?
A new study shows that media creators struggle to understand and use important copyright exceptions critical to their work.
The 30th edition of the International Documentary Festival in Amsterdam (IDFA) was nonstop information overload, in a good way.
IDFA DocLab, wound up another extraordinary event in mid-November, at the International Documentary Festival at Amsterdam.
I am an engineering instructor at a community college working with other teachers across the country to collaborate on an open, online introductory course for students in our field. In...
An amazing resource for creators... https://t.co/iEvAl2jDVg
RT @IDAorg: #IDADocAwards is back for its 35th year! Call for Entries is now officially open to any film, series or audio #documentary comp
RT @AFIDOCS: #AFIDOCS 2019 will open with the world premiere of @HBODocs's TRUE JUSTICE: BRYAN STEVENSONS FIGHT FOR EQUALITY & will close
RT @ReeseW: Calling all aspiring female filmmakers ages 16-19! Excited to invite a group of young women to LA for the @hellosunshine @ATT #
Center for Media & Social Impact4400 Massachusetts Ave NW
Washington, DC 20016-8017