By Peter Jaszi, Washington College of Law, American University
The answers to some of filmmakers’ most common clearance questions don’t really lie in the realm of “fair use” at all, but fall...
Beyond the Echo Chamber: Reshaping Politics Through Networked Progressive Media
In less than a decade, a new breed of networked progressive media—from Brave New Films to Talking Points Memo to...
For updates, press mentions, photos, and reviews, or to give us feedback on the book, check out the Reclaiming Fair Use Facebook page!
Reclaiming Fair Use - Now Available!
In their new book,...
In this concise, crisply written guide, Center Director Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers...
Co-Director, Center for Media & Social Impact, American University
Program on Information Justice and Intellectual Property, American...
In "Refrigerator Mothers," about an era when mothers were blamed for their children's autism, J.J. Hanley and David Simpson quoted popular films of the era. In this section, you can see what clips...
@CMSImpact was gratified to participate in the #CreativeChange17 @oppagenda social justice/media/arts retreat at Su https://t.co/Kafh8mLXfg
Wow, great ways to make visualization a narrative: https://t.co/6Q07IjZv6E
RT @IDAorg: Read @CatyBC & @paufder's article in Current about @CMSImpact's report on @ITVSIndies' funding in the past 10 yrs. https://t.co
What can and can't Australian creators do with OZ #fairdealing? Here's the expert DL: https://t.co/HbZcnMDzmC
RT @currentpubmedia: A new @CMSImpact study finds @ITVSIndies-funded films are more likely to be made by women, people of color. https://t.
Center for Media & Social Impact4400 Massachusetts Ave NW
Washington, DC 20016-8017