When the College Art Association launched the Code of Best Practices in Fair Use for the Visual Arts in February 2015, the panel discussed some basic questions about fair use, the visual arts, and the Code itself. Now, you can sample highlights from that panel and get your questions answered at the same time, in six areas:
After the Cuban revolution of 1959, cinema would become a major component in the socio-political revolution of the Cuban consciousness. Some filmmakers would experience a rise to fame, while the names of other filmmakers were almost forgotten in the public memory. In March, as a graduate MFA candidate in the American University School of Communication, I embarked on the filming of Nuestra Cuba (Our Cuba), a documentary that follows the untold stories of the Institute of Cuban Cinematographic Art and Industry’s (ICIAC) first women and Afro-Cuban filmmakers: Sara Gomez and Gloria Rolando.
I work at a museum and I’m on a team that’s putting together an exhibition on art emerging from twenty-first-century protest movements, with a web component and an interactive, online catalogue. Some of the art is digital, some is ephemeral, some of it was created anonymously. I already have access to most of it, but do I need to get permissions before I can use it?