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COMEDY AS CREATIVE DISSENT
IN LATIN AMERICA

LESSONS FROM CROSS-SECTOR CREATIVE COLLABORATIONS IN BRAZIL, COLOMBIA & MEXICO

A REPORT OF THE CMSI’S THE LAUGHTER EFFECT IN COLLABORATION WITH UNIVISION AND THE OPEN SOCIETY FOUNDATIONS

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Caty Borum Chattoo
AMY HENDERSON RILEY

center for media
& social impact
school of communication
american university

March 2019

CHALLENGES TO CREATING COMEDY DESIGNED FOR CREATIVE POLITICAL AND CIVIC DISSENT SPANNED A WIDE ARRAY OF HURDLES – FROM FINANCIAL TO STRUCTURAL. IN PARTICULAR, DEEP THINKING MATERIALIZED AS A CHALLENGE REGARDING HOW TO MAKE SERIOUS TOPICS FUNNY WHILE PARTICIPATING COUNTRIES REELED FROM SOMBER NATIONAL HEADLINES.

CREATING THIS KIND OF COMEDY – COMEDY AS CREATIVE DISSENT IN RESPONSE TO CIVIC AND POLITICAL CONDITIONS IN LATIN AMERICAN COUNTRIES – BENEFITS
GREATLY FROM CROSS-SECTOR COLLABORATIONS WITH CIVIL SOCIETY ORGANIZATIONS WHO CAN ACT AS SUBJECT-MATTER EXPERTS AND DISSEMINATORS.

DISSENT IS NOT ONLY FOUND IN THE CREATIVE COMEDY MATERIAL, BUT IT MUST BE HONORED AS PART OF THE CREATIVE, STRATEGIC PROCESS OF BUILDING AND SHAPING THIS WORK, ACCORDING TO THESE COMEDIAN ACTIVISTS. THE MATERIAL IS NOT DEVELOPED IN A TIDY WAY, BUT IT NEEDS SPACE FOR DISAGREEMENT AND CREATIVE RESOLUTION.

FOR THESE COMEDY AND CIVIC JUSTICE GROUPS, SPECIFIC MOMENTS OF TRAGEDY FUELED OUTRAGE THAT HELPED TO SPARK AND INSPIRE THEIR CREATIVITY.

COMEDY ATTRACTS ATTENTION AND CAPTURES THE IMAGINATION – CRUCIAL TO ENCOURAGING AUDIENCES TO ENGAGE AND SHARE INFORMATION. THROUGH COMEDY, COMPLEX ISSUES CAN BE UNPACKAGED AND TRANSLATED TO AUDIENCES WHO MAY OTHERWISE FIND POLITICAL ISSUES DAUNTING OR CONFUSING.

SINCE THE EARLIEST DAYS OF ARISTOTLE IN ANCIENT GREECE, COMEDY HAS BEEN SEEN AND USED NOT ONLY FOR ENTERTAINMENT, BUT AS A FORM OF SOCIAL CRITIQUE.

Table of Contents

  • INTRODUCTION
  • THE RESEARCH APPROACH
  • THE COMEDY PROJECTS
    • BRAZIL
    • COLOMBIA
    • MEXICO
  • INTERVIEW FINDINGS
    • OPPORTUNITIES & CHALLENGES IN CREATING COMEDY AS CREATIVE DISSENT
    • PART 1: CONTEXT FOR COMEDY & CREATIVITY IN FRAUGHT POLITICAL CLIMATES
    • PART 2: THE CREATIVE PROCESS IN COMEDY AS CREATIVE DISSENT
    • PART 3: POSITIVE DEVELOPMENTS & LEARNING
    • PART 4: CHALLENGES
    • PART 5: PERCEIVED OUTCOMES OF COMEDY AS CREATIVE DISSENT PROJECTS
  • STRATEGIC HIGHLIGHTS & FUTURE EFFORTS
  • References

About the Center for Media & Social Impact

The Center for Media & Social Impact (CMSI), based at American University’s School of Communication in Washington, D.C., is an innovation lab and research center that creates, studies, and showcases media for social impact. Focusing on independent, documentary and public media, the Center bridges boundaries between scholars, producers and communication practitioners across media production and business, media impact, public policy, and audience engagement. The Center produces resources for the field and academic research; convenes conferences and events; works collaboratively with media organizations and philanthropy; and works to understand and design media that matter. CMSI is directed by Professor Caty Borum Chattoo.

Since its founding as the Center for Social Media in 2000 (re-branded as the Center for Media & Social Impact in 2012), CMSI has established successful models for showcasing media for public knowledge and action; has become a leader in the evolution of documentary film and video in the digital era; has developed and established best practices in fair use for creative communities; has launched creative efforts to highlight the role of storytelling and social justice; has published research about the societal effects of storytelling; and has documented and helped to elevate public media for dynamic and engaged publics. Working with foundations, media companies, scholars, philanthropists, media producers, communication professionals, and innovators, the Center has contributed vital resources to media makers of all kinds, especially civically-minded creatives, and has forged trusted connections between media practitioners, public media, scholars and issue experts.

In 2017, CMSI launched The Laughter Effect, a research and creative initiative that examines the intersection of comedy and social justice. Featuring research, case studies, and original creative comedy projects, The Laughter Effect aims to build a body of awareness and evidence for the use of comedy in service of public engagement in serious social problems.
www.cmsimpact.org/comedy

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COMEDY AS CREATIVE DISSENT IN LATIN AMERICA

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INTRODUCTION

Table of Contents

  • INTRODUCTION
  • THE RESEARCH APPROACH
  • THE COMEDY PROJECTS
    • BRAZIL
    • COLOMBIA
    • MEXICO
  • INTERVIEW FINDINGS
    • OPPORTUNITIES & CHALLENGES IN CREATING COMEDY AS CREATIVE DISSENT
    • PART 1: CONTEXT FOR COMEDY & CREATIVITY IN FRAUGHT POLITICAL CLIMATES
    • PART 2: THE CREATIVE PROCESS IN COMEDY AS CREATIVE DISSENT
    • PART 3: POSITIVE DEVELOPMENTS & LEARNING
    • PART 4: CHALLENGES
    • PART 5: PERCEIVED OUTCOMES OF COMEDY AS CREATIVE DISSENT PROJECTS
  • STRATEGIC HIGHLIGHTS & FUTURE EFFORTS
  • References
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