CAA Code of Best Practices in Fair Use for the Visual Arts
SOCIAL DOCUMENTARY SPRING 2016
PROFESSOR LARRY KIRKMAN
In this course, you will study approaches to documentary as a tool for public knowledge and action. You will learn...
This research report examines the Black Lives Matter Movement’s uses of online media in 2014 and 2015.
What does it take for a documentary film and its director and producer to make it to the top—the Oscars shortlist, the nomination & the win?
Roger Ebert, of the Chicago Sun Times, called his first film Home For Life (1966) "... an extraordinarily moving documentary." With Home for Life Gordon and Kartemquin established the direction they...
As executive vice-president for Blackside, Inc., he supervised documentary film projects, including the production of the national PBS series The Great Depression and Malcolm X: Make it Plain,...
Ronit Avni is the Director of the Just Vision project, an initiative that brings the stories of courageous Israeli and Palestinian grassroots efforts for peace to American audiences through video,...
Tia Lessin, a New York-based documentary filmmaker, received the 2002 Sidney Hillman Award for her work as producer and director of Behind the Labels, a film about sweatshops in Saipan that was shown...
Visiting Filmmakers: Patrice O'Neill and Pamela Calvert
The Working Group's 1995 story of how the town of Billings, Montana responded to a rash of hate crimes, Not In Our Town, set a new standard...
Register now for #StoryMovements 2019 - https://t.co/8PpJ9ueRGk https://t.co/IlhGASBK3C
RT @nickswyter: .@knightfdn and @GallupNews spent the year studying Americans' views of the media and what it means for democracy. Nine rep
RT @paufder: Awesome to see College Art Assn's best practices code on #fairuse praised in this piece on visual arts and copyright (and prou
CMSI was honored to participate! https://t.co/kHfXkcnpFO
RT @RealAWiM: Do you know of an African woman in the media doing a remarkable job? She could be a producer, writer, reporter, filmmaker, na
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