Home
Programs
Documentary
& Independent Media
Documentary Power Research Institute
State of the Documentary Field
Documentary Representation
Reports
Participatory
& Civic Media
Story Movements
Civic Leadership
Reports
Entertainment
& Popular Culture
GoodLaugh
Yes, and Laughter Lab
Comedy ThinkTanks
Reports
Fair Use Library
Codes of Best Practices
Fair Use Blog
Blog
Events
About Us
Team
Press
Newsletters
AU SOC
Contact
Donate
Home
Events
Documentary
& Independent Media
Documentary Power Research Institute
State of the Documentary Field
Documentary Representation
Reports
Participatory
& Civic Media
Story Movements
Civic Leadership
Reports
Entertainment
& Popular Culture
GoodLaugh
Yes, and Laughter Lab
Comedy ThinkTanks
Reports
Fair Use Library
Codes of Best Practices
Fair Use Blog
Blog
About Us
Team
Press
Newsletters
AU SOC
Contact
Donate
Search Results for: Best practices in fair use
Open Educational Resources Makers Get a Code of Best Practices in Fair Use
Code of Best Practices in Fair Use for Open Educational Resources
Deep Dive: Legal Backgrounder on the Best Practices in Fair Use and Their Validity
Code of Best Practices in Fair Use for Software Preservation
Code of Best Practices in Fair Use for Online Video
Society for Cinema and Media Studies’ Statement of Best Practices in Fair Use in Teaching for Film and Media Educators
Code of Best Practices in Fair Use for Scholarly Research in Communication
Statement of Best Practices in Fair Use of Collections Containing Orphan Works for Libraries, Archives, and other Memory Institutions
Code of Best Practices in Fair Use for Poetry
Statement of Best Practices in Fair Use of Dance-Related Materials
Code of Best Practices in Fair Use for OpenCourseWare
Code of Best Practices in Fair Use for Media Literacy Education
Code of Best Practices in Fair Use for Academic and Research Libraries
Code of Best Practices in Fair Use for the Visual Arts
Documentary Filmmakers’ Statement of Best Practices in Fair Use
INFOGRAPHIC: Code of Best Practices in Fair Use for the Visual Arts
Just Released: Best Practices in Fair Use of Orphan Works
INFOGRAPHIC: Code of Best Practices in Fair Use for Academic and Research Libraries
Society for Cinema and Media Studies’ Statement of Fair Use Best Practices for Media Studies Publishing
Documentarians, Fair Use, and Best Practices
Power to the People: Five Reasons Fair Use Best Practices Are Changing the World
Happy Fair Use/Fair Dealing Week 2022!
Rebekah Modrak on Teaching Studio Art with Fair Use
You Be the Fair Use Judge Today: Visual Arts
Do Communication Scholars Need Fair Use?
Picasso, Africa and Fair Use: How Art History Expands Its Vision
Fair Use to the Rescue for Online Teaching in the Age of COVID-19
Software Preservationists Need, Want—and Now Have–Better Fair Use Knowledge
At Tribeca Film Festival 2019, Fair Use to the Rescue
True Tales of Fair Use: Hit Documentary Films
Plungers, Remix, and Fair Use
Chess, Moustaches, and Fair Use
Green Fog, Fair Use and Creativity
Stories of Fair Use’s Surprising Power
Fair Use and the Future of Digital Culture
Fair Use Question of the Month: Fair Use & YouTube
Rethinking Fair Use: Rebekah Modrak and the Art of Creative Critique
Fair Use in Film Courses: Broderick Fox on Empowering Creators
Fair Use Question of the Month: Fair Use Protections & Students
Fair Use Question of the Month: Exhibit Materials & Formal Permission
Fair Use Question of the Month
Fair Use Question of The Month: Poetry Remix
New Fair Project Launched, for Preservation of Software
Fair Use Question of the Month
Visual Arts Community Shifts Practice on Fair Use
Public Media Podcasts with Fair Use at WVIK
Fair Use Ever More Useable in the Visual Arts: Good News at the College Art Association Annual Conference
Lyn Goldfarb Talks Fair Use in “Bridging The Divide”
Fair Use Myths Debunked in Australia
Roger C. Memos: “Sweet Adversity” and Fair Use
Fair Use Week: Documentary Statement Video Code
Fair Use Question of the Month: Online Databases for Students
Expanding User Rights For Documentary Filmmakers
Code of Best Practices for Sustainable Filmmaking
INFOGRAPHIC: Fair Use in Teaching About Art
Fair Use Question of the Month: Using Film Clips in Documentary
Documentary Filmmaker Jed Riffe on Fair Use
Fair Use Question of the Month: Analytic Writing About Art
Fair Use Class Assignments for Museum Studies and Museum Education Classes
Fair Use Class Assignments for Studio Art Classes
Fair Use Assignments for Art, Architecture and Design History Classes
Challenges in Employing Fair Use in Academic and Research Libraries
A Fair Use Code Changes Practice in the Visual Arts: The Numbers
Videos for Fair Use in the Visual Arts
Fair Use Language for Course Syllabi
Fair Use Scenarios
INFOGRAPHIC: Museum Uses for Fair Use
INFOGRAPHIC: Fair Use in Making Art
INFOGRAPHIC: Fair Use in Analytic Writing
“Fair Use Makes Documentaries Possible:” News from Tribeca Film Festival 2016
Fair Use in Filmmaking at SXSW: Beyond Documentary
Fair Use Week: Plenty to Celebrate
How To Use Copyrighted Material in Your Work | Fair Use Week
Deep Dive on Fair Use and Consensus Documents
Museums Put Fair Use to Work
Fair Use Question of the Month: Photos for Art Installation
What a Difference Fair Use Knowledge Makes: Academic Publishing
Fair Use Question of the Month: Images of Copyrighted Work
Fair Use Question of the Month: Digitizing Archives of Copyrighted Work
Fair Use in Visual Arts: You Be The Judge!
Fair Use Question of the Month: Can I Use Footage From a Copy-Protected DVD?
Research Libraries Celebrate Fair Use With New Videos
Fair Use Question of the Month: Capturing Copyrighted Material in the Background
Librarians and Fair Use: Take the Big Picture
Good News: Growing Acceptance of Fair Use in Documentary
INFOGRAPHIC: Can I Employ Fair Use In My Documentary?
Fair Use Question of the Month: Showcasing Media Literacy Assignments Outside the Classroom
Examples of Successful Fair Use in Documentary Film
Fair Use Question of the Month: Captioning Copyrighted Film for People with Disabilities
How Fair Use Brought Dream Deceivers to Home Video
“Hoop Dreams” and “Life Itself” Exec Producer Recalls How ‘Clearance Culture’ Drove Him to Become a Fair Use Evangelist
Fair Use Question of the Month: Advancing Other Journalists’ Work
Success of the Statement of Best Practices
Fair Use Question of the Month: Orphan Works in Historical Reporting
Fair Use Question of the Month: Copyrighted Material as Documentation
Fair Use Question of the Month: Facebook Pictures in News Reports
Reclaiming Fair Use: How To Put Balance Back In Copyright
Fair Use Question of the Month: Crowdsourcing Journalism
Success of Fair Use Consensus Documents
Why Fair Use Is More Dependable Than You Think
Create for Pivot with Fair Use
Fair Use Question of the Month: Background Music
Fair Use Videos of the Month
Fair Use in Media Literacy Education FAQ
Accessibility, the Chafee Amendment, and Fair Use
CASE Act: Good or Bad News for Filmmakers?
Artistic Innovation, “The Clock,” and Copyright
Good News on DMCA Exemptions from the Copyright Office
Preserving Software Could Get Easier: The Latest Center Research
War on Water
INFOGRAPHIC: Online Access to Related Collections in Memory Institutions
Pat Aufderheide to be Honored with Stoney Award
Filmmakers, Funders and Risk
Remix Culture
Demystifying Technical Protection Measures (TPMs) in the Library
Interview with Michael Tucker and Petra Epperlein
The Cost of Conservatism to Academic and Research Librarians’ Mission
Energizing Advocacy and Mobilizing the Public Sphere in Fraught Times
CMSI Leaders Featured as Speakers, Participants at International Documentary Film Festival Amsterdam (IDFA)
The Death of the PSA? The challenge of effecting social change in the digital entertainment age
CMSI Hosts the American Film Showcase
Dangerous Documentaries and Online Journalism
Common Sense Media Employs Comprehensive Evaluation Strategy for Digital Citizenship Curriculum
Unauthorized: The Copyright Conundrum in Participatory Video
Social Justice Documentary: Designing For Impact