Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
Have a great trip! Looking forward to pics and tweets! @CMSImpact founder @paufder is on her way to #IDFA2018! https://t.co/wntmYIFckC
"I place creativity and story and culture at the center of efforts for social change..." Read more of @CatyBC's int https://t.co/uFXRpU9gHy
RT @augamelab: Great evening talk in DC from @henryjenkins on "Popular Culture as Politics, Politics as Popular Culture" -- Nov. 19 @AU_SOC
RT @NthanzeK: Naila and the Uprising screening and panel. #FabFestDC #FilmsAcrossBorders https://t.co/eSNbBP5yEt
#FABfestDC screening TODAY 'Naila and the Uprising' @AU_SOC 7 pm followed by a discussion with @smbabaa https://t.co/hrmVvxSXyM
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