Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
Filmmaker Lyn Goldfarb on #fairuse in her new documentary: https://t.co/VdYhIzWxKW #FairUseWeek
RT @SKilmurry: RT @IDAorg: New! From @CMSImpact & @CatyBC massive decade-long study of race/gender in Oscar shortlisted docs https://t.co/J
RT @ITVSIndies: How has the diversity makeup of the #Oscars shortlisted docs changed? https://t.co/W7bRGxDrsn @IDAorg @CMSImpact
RT @DOC_BC: A Decade of Race & Gender in #Oscar-Shortlisted Documentaries @CMSImpact @IDAorg #AcademyAwards #documentary https://t.co/VaoQT
RT @meredithjacob: The amazing @paufder on the power of #fairuse for creators (debunking tech v. creators) @Aus_Digital @CMSImpact https://
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