Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
RT @AmericanU: Check out @ComedyCentral's partnership with @CMSImpact to use comedy for social good, #LaughterLab: https://t.co/P0QMyACe1F
RT @CatyBC: .@CMSImpact was a proud partner with last night's @dceff_org Eco-Comedy Competition Awards. Comedy is a powerful source of infl
RT @CatyBC: Can't wait to talk (international) comedy & social justice with these amazing folks at gorgeous #SkollWorldForum. See you in Ox
RT @CJRFund: Grateful for the @dceff_org showcasing that comedy can be a great tool for talking about climate change! https://t.co/jQWsoRcG
.... and now its @BeeBopHall MC-ing the #ecocomedy awards @dceff @EnviroFilmDC @nature_org I love comedy and I lo https://t.co/TdQwmKFaIz
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