Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
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In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
.@mgeist on Australian fake news re Canadian #copyright & #fairdealing: https://t.co/uddLz3eTtd
RT @docofilm: Today's DOCOFILM digest: https://t.co/1e2KrQ4ZU8. Stories via @CMSImpact @DCTVny @IDAorg
Know anyone who should apply to Firelight's awesome diverse media impact producers training? https://t.co/Wqj1UHroc6
Know anyone who should apply to Firelight's awesome diverse media impact producers training?
Judge Leval to publishers: "Fair use, at least as it's understood in the United States is not your enemy. It is solicitous of your rights.
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