Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
OZ schools want th $15M they paid CopyrightAgency for orphan works back; CA's using it to fight flexible exceptions. https://t.co/VYGWujTFXa
OZ Copyright Agency uses $15M it got from schools/libraries for orphan works to lobby vs more flexible exceptions! https://t.co/VYGWujTFXa
Do you use the CAA #Fairuse Code to teach with? @ARLIS_NY wants to publish your good work! @collegeart https://t.co/cFI88q0wjX
Visual arts folks use Code of Best Practices in #fairuse to change own work and institutions' policies @collegeart: https://t.co/2r9etLL0Uu
Are you one of Australia's missing creative voices? Opportunity to fix that! https://t.co/uuIP7kqTt6
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