Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
RT @AFIDOCS: The #AFIDOCS Forum session "Growing Pains: Virtual Reality, Documentary and A Search for Answers" is live on our Facebook page
So many burning questions! @paufder opens the panel with questions from the audience and we are bursting with them! https://t.co/J5mkn7amU5
@CMSImpact founder and @AU_SOC Professor @paufder discusses #VR, #documentary and more with @CourtneyCogburn https://t.co/ioh2FJ7WXd
Starting soon: panel discussion exploring #VRs emerging identity crisis led by @CMSImpact founder @paufder... catc https://t.co/IOYZgbfCVL
Live comedy is booming! "I Sold the Same Special Twice!" How Netflix Is Driving an L.A. Comedy Gold Rush https://t.co/oyGA4JGvoh via @thr
Center for Media & Social Impact4400 Massachusetts Ave NW
Washington, DC 20016-8017