Artists, publishers, scholars and curators depend upon fair use in the Visual Arts more than they realize. The Code of Best Practices in Fair Use for the Visual Arts was created by professionals...
This infographic is freely available as a full-size PDF, an embeddable JPG for blogs and website, and a print-ready 8.5” x 11” PDF to print and hand out at...
Data comes from a 2014 survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich. Read more about the study here.
Filmmakers have been successfully employing fair use, even before the Statement of Best Practices clarified their common understandings. Here are some examples of uncontested choices for fair use....
A great visual summary of the code.
Download | Length: 1:16
In Affluenza, John de Graaf excerpted television ads in a critique of consumerism.
He invoked fair use because he was engaged in media criticism.
Barbara Abrash, Teacher, Curator and Independent Producer
Already practiced in partnering for impact—with activist organizations, nonprofit groups, and public...
Our smart friends & collaborators @CDSDuke have just launched a great new program for doc filmmakers of color. Cong https://t.co/kbOKP5ssDc
RT @CatyBC: Honor sharing a stage w/these storytellers, artists & social justice activists @GlblCtzn w/ @GeetaGandbhir @GbengaAkinnagbe @mi
RT @CatyBC: Looking foward to speaking at 2 pm today at @GlblCtzn #MovementMakers on the role of stories in social justice. #UNWeek @CMSImp
How to sabotage investigative reporters saying bad things about you, digital edition: https://t.co/gOBAx8NXY1
Look to AI before IoT or Blockchain to be general purpose and disruptive: https://t.co/QPxVdPsrZ8
Center for Media & Social Impact4400 Massachusetts Ave NW
Washington, DC 20016-8017